Archive for the ‘Consumer communications’ Category

The Downward Viral

November 15th, 2011 by Louisa

My latest guilty pleasure is Katie Price Signed (probably unsurprising coming from the girl that religiously records Jeremy Kyle everyday). Last week’s episode however, was actually educational from a PR’s point of view – that’s dedication for you. It was all about creating viral clips. The final nine hapless contestants were tasked by the Grande Dame of page 3 to “create buzz”. Each group were given 200 quid, a camera phone, a location and told to make a film that would go viral – other than that there were no directions. Whichever clip when posted on t’interweb garnered the most hits would win.

Chaos ensued as only two group members were allowed to star in the video and the other person had to film – inevitably this ensured that the point of the challenge was missed. Instead of spending the eight hours available to them coming up with a creative concept which might warrant spreadability, they bickered about who would be front of camera.

The results were pretty woeful. One group did a skit on Prince William and Kate Windsor (nee Middleton) on their honeymoon night, another also centred on the sex sells theme and spent the afternoon dressed as nuns flashing anyone that passed by and the third took the comic route of having someone dressed in a sumo suit exercising on the edge of a pond who was given a shove by a very Jim Carrey Riddler-type character. Despite being allowed to send the clip to one contact per group to spread the word and get the metaphorical ball rolling between them they didn’t manage even 1,000 hits. As one of the judges waspishly commented: “About as much buzz as wasp flying into a window”.

This just goes to show that creating a viral isn’t easy. What you may consider funny, isn’t to other people. The key is to think about what would make you forward something onto your friends. The programme rightly said that ad agencies (and indeed PR agencies) are increasingly turning to viral as a medium as it is a cost effective route to gaining wide scale awareness – however it is only cost effective if it does create wide scale awareness – otherwise it would probably be cheaper to place an ad in Downstream magazine (a specialist title for the Oil and Gas industry) which has more reach.

Viral isn’t easy and it just goes to show that not everyone with a camera can generate buzz; it is all about understanding how to get the clip correctly seeded out so that it does get those all important views. It is here that PR comes into its own. We have the skillset, the contacts and the heritage in creating conversations – both online and offline.

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2011: Year of the Metro-Male Mag

January 20th, 2011 by Cally

If the media zeitgeist is anything to go by, 2011 is the year of the metrosexual male, with three new titles aimed specifically at this audience launching this year.

ShortList Media, publisher of free magazines ShortList and Stylist, recently announced it will be launching a free, bi-annual men’s fashion magazine in March 2011. The thick-cut, glossy publication, ShortList Mode, has been designed with Shortlist’s ABC1 metro-male readers in mind. “We are living in an ever-changing world in which young men are spending more time and money on the way they look,” says Mike Soutar, Chief Executive of Shortlist Media.

Soutar is not alone in his thinking, as Bauer Publishing, the owner of weekly magazine Grazia, recently piloted Gaz7etta, the male equivalent of its sister publication combined with the traditional kind of content you’d see in men’s monthies.

And that’s not all, because the hugely successful online fashion retailer Net-A-Porter is also preparing its launch of Mr Porter – a partner site dedicated to stylish men and their shopping desires.

In times of apparent tightened purse strings (or wallet strings in this case) these launches could seem a little risky. But not so. According to The Guardian, “many in the industry are confident that style-savvy male consumers have reached a point in their attitude to self-enhancement that their spending on clothes, creams and even cosmetic surgery can be relied upon just as much as their female counterparts.”

Here at E! Towers, we’re looking forward to get our mitts on these exciting new titles and sharing news of our fantastic metro-male friendly clients with them! The ABC team are also busy preparing for the release of the much awaited ABC Consumer Magazine figures, issued on 17th February, which will provide essential insights on, amongst others, these new publications.

We will also be keeping an eye on the fellas in the E! office for any style changes that may occur as a result of this new reading material. Will Chris swap the gilet for a Burberry flying jacket (all the rage right now in the Milan Men’s Fashion Week)?  Will Dave shave his beard off again in a bid to stay ‘metro’? Or will Rik wear Salmon because it’s the colour of the season, and not just his surname??

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Marmite brands #1: Lady Gaga

October 19th, 2009 by Phil

Love her or hate her, you have to admit that Lady Gaga has done something special.

In a relatively short space of time she’s gone from a nobody to become one of the most exciting, inventive and inspiring pop stars of the Noughties.  While her peers veer wildly from one extreme (bemoaning problems like music piracy) to the other (having very public breakdowns), 2009 has seen the emergence of an artist who has rewritten the rulebook when it comes to making headlines, all in the name of art.

Her live performances never fail to be spectacular (exploding firework bra anyone?), and even the most mundane events like boarding an aeroplane gain significant column inches.  She even provides forums the blogs with plenty to feast on.

But ‘poon or peener’ aside, for me the success of Lady Gaga is primarily down to one thing; some damn good PR.  The team around her has managed to create a water-tight persona (or should we say brand) with which to stir up controversy and interest, the likes of which hasn’t been seen in a long time.  In a music market dominated by X Factor-style competitions, where new acts are created in front of the camera, warts and all, it’s refreshing to see a marketing approach that’s based on the creation of an enigmatic ‘superstar’, where not a shaft of light from backstage is ever glimpsed. 

We’re never privy to the ‘real’ Lady Gaga, the person behind the make-up.  There are no stories, or photos, of her falling out of a nightclub drunk, upset at being jilted by an ex-lover, overjoyed that she’s reached number one in the charts.  There constantly remains an air of mystique, carefully controlled and refined, where art and performance become the overarching messages, and the usual ‘girl next door does good’ angle fails to materialise.

As PR machines go, Lady Gaga and her record company are on to a winner.  She might have a lifelong career or be the proverbial one-hit wonder, but someone who’s taken less than a year to build up the admiration and reputation as someone as established as Queen of Innovation Madonna deserves to be watched with close attention. 

Then again, perhaps it really is all about the art.

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Rebranding – more than just a name

August 3rd, 2009 by Clare Ridley

Get home after work tonight, turn on your Sky box and you’ll be bamboozled by hundreds of pay TV channels, all demanding your attention.  Most brands only have a handful of competitors but in the pay TV world, things are different.  If you want to stand out, your brand name is the first thing that today’s channel-hopping audiences look for.

There has been a slew of TV channel rebrands in recent years, from the now ubiquitous Dave to the more obscure Alibi and Yesterday.  There’s even a channel called ‘Really’ – really?

Eulogy! client Comedy Central was one of the more recent rebrands.  Formerly Paramount Comedy, a name that said safe, US comedy, the rebrand to its bigger, badder and bolder parent channel from across the pond meant audiences knew exactly what they were getting – a modern comedy channel, dedicated to delivering top-notch comedy.

So do channel rebrands work?  Well, viewing figures certainly say so.  Dave has recently recorded a record 2.66 million viewers for its resurrection of Red Dwarf and Comedy Central’s viewing figures have shot up by 59%.  What’s most important though is making sure your proposition is clear and unmistakable.  It needs to be more than just a gimmicky name – the programming needs to fit with the brand values already associated with the new name, so viewers understand exactly what you stand for as a channel.

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