Posts Tagged ‘advertising’

Honestly – Advertising isn’t that bad

November 30th, 2011 by David

On the 25th October, George Monbiot wrote an astoundingly vitriolic attack against the advertising industry, an industry that Eulogy! is proud to be well acquainted with. Our expertise within the marketing services sector brings us into contact with many agencies and brands who tirelessly work for their clients and companies as well as a plethora of charitable and worthwhile causes, which I’m pretty sure don’t burden us with debt, restrict our freedoms or do any number of things that Mr Monbiot’s article claim.

Of the clients I regularly work with, I see inspirational work that highlights plights and causes the world over. Just a snapshot of these include work with inner-city schoolchildren, leukaemia and cancer sufferers and budding athletes eager for their shot at glory. Advertising plays a huge part in communicating the message that these often ignored areas of society attempt to broadcast, and in doing so bring in attention, funding and advocates.

Just a look down the street in the past few weeks will have shown the sea of poppies that flooded our streets in support of those who give their lives for the UK, a campaign that receives huge support from the advertising industry in terms of creative production as well as advertising placement. Case in point: a slot during X-Factor worth £3m was given to them free of charge for this year’s appeal. A media infrastructure that allows companies to spread such important social messages should not be so readily dismissed.

Yes, Mr Monbiot may dislike many of the products, services and messages (he’d probably just seen another ‘Go Compare’ advert) that are communicated through billboards and TV ad breaks, but there are constantly ideas and reports covered by the mainstream newspapers that could be deemed equally influential, misleading and morally questionable, and so I feel his footing in the argument is far from sound. In the end, surely there are more important things to discuss and critique than the too often used scapegoat-for-society’s-ills that is advertising?

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Social media ownership: when will agencies learn to share?

February 8th, 2011 by Melanie

A recurring debate was stirred up once again in the marketing world this week with a feature in PR Week on ‘Who Owns Social Media’ and unsurprisingly many of the familiar players from across the three disciplines (PR, Advertising and Digital) weighed in with their views.

Features Editor Cathy Bussey’s well balanced piece attempts to bring to the surface tensions which have been bubbling away for the last few years between the creative communications sectors that have up until now had fairly clearly laid out stalls which defined their existence. The debate in PR Week puts the three would-be contenders into a boxing ring to see which one emerges the victor.

Whoever it is that surfaces from the final round still standing and with their bloody nose intact will undoubtedly believe that they rightfully deserve to wear the social media crown. The truth of the matter is that they will be wrong: there are no crowns to wear -only matching sets of badges to be worn by all.

Firstly, the idea of any agency owning a channel is laughable and dare I say a little bit arrogant. An agency’s role is not to ‘own’ but to support through expertise and consultancy. Chris Lake, Director of Innovation at Econsultancy echoes this very sentiment in a post he recently wrote on the Econsultancy blog:

“I firmly believe that a company’s social media strategy should be owned and managed by the company itself, rather than by external agencies.”

Those that submit to the notion that social media can readily be claimed in its totality as belonging to the domain of PR, advertising or the newly emerging digital sector clearly do not understand the scope, complexity or potential of social media channels.

Take the telephone, for example. It would be extremely bizarre to restrict its usage to just members the PR team, or have a ‘phone call strategy’ defined by an external marketing agency. It would be equally unlikely that a brand’s digital marketing agency would have the right to decide how the wider company uses email as a communications tool? Social media: Twitter, Facebook, YouTube, Flickr… they’re all just tools (with varying degrees of sophistication) that serve to meet multiple needs.

Only when marketers start viewing social media platforms in this way, as facilitators which address multiple needs across numerous departments (comms, marketing, branding, customer services, corporate reputation, stakeholder management, research and development) will the ownership debate be replaced by a discussion that focuses around an integrated approach to social media.

At Onlinefire, whilst we’re often seen as a ‘social media agency’, we actually prefer to work collaboratively with clients and their agencies to allocate defined roles for social media activation. In truth, we’re much more than a social media agency; we’re a creative online communications agency with PR at our heart. Social media is our channel of choice but much of what we do for our clients draws upon multiple marketing touch-points from experiential to events to traditional news generation – regularly drawing upon the skills of the wider Eulogy! Group. It’s no accident that this blog has ended up being posted on the Eulogy! site. It’s all about integration, don’t you know!?

  • We don’t create flash iPad apps, but we work with digital agencies that do.
  • We don’t do search engine pay-per-click campaigns, but we work with many great companies that can do these (and do them really well).
  • Onlinefire isn’t a specialist in organising promoted tweets but we can get your brand trending on Twitter whilst a quality media buying specialist sorts out your specific Twitter ads.

I’m not suggesting that there isn’t a clear role for PR in social media. In fact, us PRs have traditionally been the gatekeepers of the brand conversation and as such are in a good place to see the potential opportunities that social media offers us. Admittedly the conversation has always been with identifiable mid-point influencers (media, stakeholders, analysts, etc.) but new online tools have allowed us to take this dialogue direct to consumers. Never before have communicators ever been able to have this level of proximity to our end users and this is a gift that the PR industry should embrace rather than shy away from.

Advertisers on the other hand have always been on the receiving end of huge budgets and as such have been able to create truly great pieces of branded content which inspire talkability. However even small advertising budgets on social media platforms can reap great rewards. Executed correctly, Facebook’s social ads can deliver amazing results for the right campaign due to its pinpoint targeting capabilities. This is probably still very much the domain of the media buying agency but the ease of which brands can manage these social ads makes it more difficult for some unscrupulous agencies to play the smoke and mirrors game with their clients. And Amen to that!

Agencies which have previously taken great pride in dining at the top-table with their clients have been forced to reassess their offering in light of direct to consumer alternatives that social media has provided the industry.

Self-defined digital agencies are currently the best equipped to advise and build social apps and widgets which add an extra layer of usability to social networks. This technical knowledge is something that most PR / social media agencies currently do not offer nor would they probably every want to.

So the content versus conversation divide still exists to some extent but for how long?

Huff and Puff…

Three Little Pigs

Three Little Pigs

Remember the story of the three pigs? They all set about making separate houses for themselves. Imagine that instead of each having sticks, straw and bricks respectively, one had just cement, another had a spade to dig the foundations with and the third pig had just bricks.

Individually, neither would be able to build anything resembling a solid structure but collectively, they each bring a different and vital quality needed in the construction of a robust home. Replace ‘pigs’ with marketing agencies (perhaps this doesn’t require too much of a stretch of the imagination) and substitute the act of building a house with the objective of contributing to a successful social media campaign – and that’s where we find ourselves today; everyone working in collaboration to build something that ultimately benefits all parties to serve a larger purpose.

360-degree Implementation

A few years ago when Eurostar were being held up as an example of a brand being overly myopic in its approach to social media comms, few agencies acknowledged the lessons that clearly needed to be learnt from the fall-out. Having appointed a social media specialist agency to carry out a (pretty well-executed) sales campaign on Twitter, Eurostar hadn’t factored in the other internal departments that may need to use the platform in the future. So, when poor weather conditions meant that many passengers were left stranded at Christmas without any information advising them on their options, many turned to Twitter only to be met with a wall of deafening silence.

I remember being invited on to Channel 4 news to comment on how the brand misread its customer’s social media requirements. At the time, I seem to remember a lot of focus being placed on the channel and none on the message itself. Sure, there were some cultural learnings for Eurostar to be gained but any criticism of their trial Twitter campaign merely deflected attention from the real problem which was Eurostar’s inability to communicate with its customers in a time of need.

In this situation, it was clear that the in-house team were not equipped to deal with social media as a 360-degree comms channel and that a specialist social media agency were reluctantly handed ‘ownership’ of Twitter in its entirety wheras in reality they were only allowed responsibility for a small campaign area. The danger of ownership being taken outside of the in-house team becomes apparent when the platform overlaps with other departments’ remits as happened in the case of Eurostar.

Therefore, media ownership (social or traditional) should always remain with the brand gate-keeper (i.e. the in-house marketing team) and not on the agency side. Only by having centralised ownership, can social media be divided accordingly between various internal business groups with weighting distributed in an appropriate fashion that reflects needs and not historical budgets.

Aim for the stars…

The situation reminds me somewhat of the Space and Moon Races which took place between the USA and the then Soviet Union in the mid to late twentieth century where two politically opposed forces fought a very global battle to attain technological and ideological superiority within space exploration. A key marker within this political era was fixed on which would be the first nation to set foot on the moon. After billions of dollars, numerous fatalities and a plethora of disasters on both sides the USA emerged as being the first nation to have representatives step foot on the moon.

The flag was placed, the video images beamed back to the world below and now, over fifty years on, as the Star Spangled Banner continues to fly in solitude on a windless moon are we able to say that the USA managed to claim ‘ownership’ of the moon? The answer is almost certainly no.

One small step for social media

One small step for social media

To learn more about the work we do at Onlinefire, visit our website or alternatively you can follow us on Twitter @onlinefire.

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All’s free in love and news

October 12th, 2009 by Claire Burgess

Another week, and another title joins the freesheet melee. But on closer inspection, it’s not another new title: it’s the London Evening Standard. It may be losing its 50p cover price but in the process new owner Alexander Lebedev will be more than doubling its circulation with 600,000 copies hitting the streets from this Monday.

A few short years ago it would have been hard to imagine the Evening Standard being handed out free. But the age of the freesheets has radically changed the publishing playing field. Mainstream titles are waging their own price wars in print and online, and looking for ever more radical ways to attract the fickle newspaper buyer – from wallcharts and CDs to winning Stonehenge (well a sunrise there, at least!). But for the freesheets it is a battle of volume; a battle that claimed thelondonpaper as its most recent casualty.

If freesheets are to generate the ad sales required to allow them to continue printing, then consistently appealing to a broad audience is essential. It will be interesting to see how the Evening Standard, which has always cultivated a relatively young, upmarket readership, balances the needs of the commercial department with the editorial integrity on which it has built its reputation.

Mike Ironside, chief executive of the National Readership Survey was at Eulogy! last week and asked us whether we felt our newspapers had a unique voice. Without a doubt, the room replied. It is clear that newspapers are still a national passion. Over the course of a week, three quarters of the UK population reads a newspaper, and half of us are still buying a Sunday paper.

If the Evening Standard can make the free model work, then it is going to put serious pressure on rival titles that are still hanging on to their cover price. But how long can the free model prosper? In this case, the power really is in readers’ hands. If we’re not willing to pick the freesheets up, then the advertisers will follow suit.

Like many others, I have found the evening journey rather empty since thelondonpaper departed and the Evening Standard, which has a distinctly different voice to London Lite and other freesheets, is undoubtedly a welcome addition for commuters and advertisers alike.

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Mine’s a generic unlabelled beer bottle please

September 21st, 2009 by Claire Burgess

As you settle in front of the TV have you ever paused to lament the fact that no one ever walks into The Vic and asks for a pint of Carling? Why’s it always the ‘usual’? And why do the cast of Hollyoaks never pop down to Topshop?

How much does this impact the realism of the storyline? Well apparently enough for the Government to decide that it’s time to abolish laws preventing product placement on UK television screens. Although the BBC remains exempt, as do children’s programmes, this is one of the biggest changes in our recent television history.

But does it work? The Government’s own research has found that less than a quarter of people have felt influenced to buy something after seeing it on a TV show. So why are advertisers so keen to get their products in our programmes?

When the cast of The Hills cruise in their Lexus and Porsches, the judges of American Idol carefully display Coca-Cola or Carrie splurges on yet more Choos –  millions are watching. And it’s not just about getting in front of people. The subtle, or not so, power of association can be worth more than any cheque, and brands are clamouring to align themselves with the aspirational characters we love to watch. 

As broadcasters wrestle with the ever-tightening grip of declining ad budgets product placement represents a fruitful source of revenue. Ad funded programming has sailed silently into our TV schedules and we’ve hardly even noticed. Plus more budget means more new commissions, so surely we’re onto a good thing?

A word of caution. Done wrong, product placement ruins the programming it’s supposed to enhance and alienates viewers. The rules are clear. For consumers it has to be relevant and fit the context of the programme. For brands it must align with their broader strategy and create a meaningful engagement with the audience.

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PR is no longer the poor relation of government comms

July 20th, 2009 by Ian

So we now know that the government has boosted its annual overall advertising and marketing spend, by 43% to £540m in the 12 months to the end of March. This is a controversial outlay considering the country’s current economic woes and swingeing spending cuts for public services looming large on the horizon.

But there are two sides to every story. No one can argue that the government does have a tricky task mopping the fevered brow of a nation under duress from swine flu panic and ongoing financial disasters. These issues alone require constant communication with the public, and some sections of society perhaps justifiably believe that helpful messages still aren’t reaching them at vital times.

From a PR point of view, the government remains one of the industry’s biggest paymasters. The COI figures reveal that spend on news and PR grew by 52% year on year from £26.9m to £40.9m. It’s interesting to note also that digital marketing spend rose by 84% to £40m. I’m sure some of this wad was splashed out on combined campaigns, harnessing the growing power and reach of joint PR and online messaging.

COI chief executive and advertising grandee Mark Lund believes “the need for government to communicate with the public is greater than ever as society faces challenges such as obesity, climate change and the recession – government campaigns can help save lives and save money.” Assuming COI doesn’t enter General Election purdah before the financial year ends, could it be that we will see the PR budget rise even more sharply next year?

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